Bleep techno (or simply bleep[) is a regional subgenre of techno which developed in the late 1980s in Northern England, particularly Yorkshire.][ Named after its Minimal music synthesizer sounds,][ bleep techno combined influences from American techno and house music, with electro elements and heavy sub-bass inspired by reggae sound system culture.][ The style was commercially successful between 1989 and 1991,][ It has been characterized as the first unique British style of electronic dance music.]
Style
Bleep techno is a sparse, cold subgenre of
techno primarily defined by minimalistic electro-style synthesizer tones (the eponymous "bleeps") and heavy
sub-bass inspired by
dub music and reggae sound systems.
[ The genre's short, melodic synthesizer tones have resemblance to futuristic science fiction noises][ or pocket calculator sounds.][ In addition to aspects of Detroit techno and Chicago house, the style also commonly featured hip hop elements and breakbeat-inspired drum machine patterns,][ Tracks often featured clean, precise beats and deep Roland TR-808 bass.][
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History
In the 1980s, the burgeoning British rave music scene was influenced largely by American house music and techno records—music which came from cities like Chicago, Detroit, and New York. Original UK tracks were generally considered second-rate at that time.[ However, this changed with the release of 1988 single "The Theme" by Bradford-based group Unique 3—music characterized as the first bleep techno single owing to its unprecedented blend of Chicago house with elements of hip hop and reggae.][ The track featured deep sub-bass with "bleepy melodies, shuffling TR-909 rhythms and weird synth tones."][
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Following the release of "The Theme", a wave of artists in cities like Sheffield, Leeds, Leicester, and Birmingham began making music inspired by this new sound.[ The newly founded Warp Records became the subgenre's most prominent label in 1989, with artists such as Sweet Exorcist, Forgemasters, LFO, and Nightmares on Wax becoming important figures in the style.][ Warp's first release was Forgemasters' "Track With No Name", funded by the UK's Enterprise Allowance Scheme, a grant meant to help unemployed youths start businesses.][ LFO's eponymous single reached no. 12 in the UK charts in 1990.][ Between 1989 and 1991, bleep techno would serve as one of England's most popular rave styles.][
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The Warp compilation , released in 1999, contains much of the label's early bleep material.[
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Legacy
Bleep techno is recognized as the first distinctive electronic dance music scene to emerge in Britain.[ According to author and DJ Matt Anniss, it would become the immediate foundation of the UK's UK bass tradition, influencing many later subgenres.][ Additionally, he suggested that it represented a continuation of Sheffield's electronic music and industrial music heritage, including acts such as the Human League, Heaven 17, and Cabaret Voltaire (whose member Richard H. Kirk co-founded the bleep group Sweet Exorcist).][ Critic Simon Reynolds noted its influence on styles such as UK garage, dubstep, and bassline house in addition to contemporary artists such as Rustie and Neil Landstrumm.][
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See also
